You hated him for his brutal nature on the screen in Neerja but you loved him equally for displaying all the nuances that went into it while portraying every character in his films. He is Jim Sarbh and if you ask the right questions he will talk to you about anything and everything.
In an exclusive conversation with Bollywood Life, Jim discusses the role of Taish, the process of bringing the characters alive on screen, finding opportunities for improvement in sets, drawing on their deep feelings, and discussing and discussing why change matters in society as a whole.
Talking about his complex and layered character in Taish (your feelings are irritating and angry, he explains), Jim told us, “I play this guy named Rohan Kalra. This is my first Bollywood commercial like a movie. Usually the story is about two families. My younger brother (Ankur Rathee) is getting married and I am a bit scared to invite my girlfriend (Kriti Kharbanda) to the wedding and I can not wait for my best friend (Pulkit Samrat) to appear. The story emerges from Rohan, which is a kind of revenge and I really like my character. He is able to control his emotions, otherwise he will dominate his problematic desires and truth. They are also action, thriller, bang bang, tough guys, but it is also a story of men’s weakness, their inability to control their emotions. This is why I really love my character because he is a powerful person who can control all these emotions. ”
Asked why he said yes to the project, Jim said, “I first worked with Bejoy Nambiar in a short film. Also, I liked the other aspects of the less explored film. Not really talking about the first incident because it can reveal the whole plot. It’s an event of traditional masculinity, people Don’t talk about it and be ashamed of it. In fact, I think it needs to be discussed more openly. The other idea caught me up. Some people have always had a deep connection beyond the boundaries. It’s not always true but I like it when you explore that stuff.
Revealing the secret behind bringing authenticity to these characters, he said, “I think you really don’t have much to do. As long as you’re interested in the moment and trying to understand your own life and your deeper connection with yourself and the emotions on stage, I think it’s much easier to explore the same possibility in movies. You don’t want people to be confronted with their more complex or they say dirty feelings that they are not ashamed to talk about. Guilt, or weak, or lame, or incapable, or lost, or hurt or jealous – all these emotions people try to get away from. It can only be obtained through rehearsal and time spent with your character, because if you read the character for 5 minutes before taking a shot, you can present the surface of emotions. You should be interested in the moment and see how it gives you every moment. ”
Jim shared an anecdote about working at Nirja: “One of my favorite moments. I got in Nirja to improve as the directors were free to add things. Before I screamed something, the character realizes that the publication does not know the English word. He tells the other person, ‘Can I speak an alarm?’ And you see for a second that the guy doesn’t know things and he wants to do his best in what he’s doing.
When we asked them if they had the freedom to experiment with their emotions while taking their shot in sets, he said, “It depends on the directors. But in general, yes, I had a great deal of freedom. For example, Gafoor Malik, I did not have freedom with lines, as they were written. And the freedom to add dynamic elements and change things, was very encouraging by Sanjay Leela Bhansali. It was not just words, but movement and commentary, so even in Tashim, Bezai was very open to improvisation. And we’re like, it’s really fun. I love all the things that can really bring in new ideas that you suddenly get. Play with it. ”
Talking about the joy of building such freedom and adding minor nuances to the characters, Jim said, “It’s like you take on the role and the creative aspects of it. And if the directors support it, you want to keep looking for things you know. You’re hungry. I love this about other people.” Don’t knok
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